JEAN-BAPTISTE-ARMAND GUILLAUMIN
1841-1927
Rouen, le pre aux temps, le soir
Date: circa 1904
Framed Size: 30.5 inches by 34.75 inches
Best known for his association with the Masters of Impressionism, Armand Guillaumin was a French painter, born in Paris on the 16th of February 1841 and died on the 26th of June 1927. Guillaumin participated with the original group of Impressionist painters, "Les Peintres Revolutionnaires" and exhibited in 1864 at the first exhibition, following with the Salon des Refuses in 1924. He developed a close friendship with Van Gogh, and soon he was painting with very vigorous brushstrokes, and expressive colors. His work may be seen at the Musee Van Gogh in Amsterdam, the Petit Palais Museum in Geneva, the Museum of Luxembourg and the Musee d’Orsay in Paris.
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EMILE CLAUS
1849-1924
Sur la Lys
Date: circa 1900
Framed Size: 39 inches by 48 inches
Considered to be the Father of Belgian Impressionism, Emile Claus was born on the 27th September 1849 in Sint-Eloois-Vijve and died in Austene on the 5th June 1924, where he is buried in the garden of his country house "Zonneschijn" along the river Lys. Claus' love of nature was expressed through the effects of light and color. He was a subtle, refined Luminist and a clever observer of the surrounding landscape.
Sur la Lys is a superb rendition of swans floating atop the river Lys on an autumn day. The trees along the river bank are painted in natural hues, reflecting in the water below. On viewing this painting, one is aware of why Claus is regarded as the most important Belgian Impressionist of the period.
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ALEXANDRE ALTMANN
Born 1885
By the Riverbank
Date: circa 1920
Size: Height 33 ½ inches Width 36 ½ inches (framed)
Admired for his Impressionist renditions of Paris and the French countryside, Alexandre Altmann was born in Sobolewska, province of Kiev. He received his formal art training in Paris and Russia. In 1905 Altmann moved to Vienna much admiring the work of Kokoschka and then to Paris where he enrolled at the prestigious Academie Julian. Having completed his studies, he exhibited at the Salon des Independants and the Salon d’Automne between 1912 and 1922 and also at the Izdebsky Salon. In 1912, together with D. Vodgof and M. Aronson, organized an exhibition of Russian art in the Devambez Gallery. In 1913 two of Altmann’s paintings were purchased for the Luxemburg Palace collection. In 1920 he participated in Salon Tuillery Paris.
One of the triumphs of Altmann’s work were his beautiful landscapes, sparkling with light and at the same time richly harmonious in colour as shown here in this beautiful example of his work. Today his work is avidly sought after as one of the true exponents of Russian Impressionist painting. Sadly, there are not too many examples of his work that survive. This important example of his work is presented in pristine condition and in its original period frame.
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EUGENE GALIEN-LALOUE
1854-1941
Title: “Vue de l’Ancien Trocadéro depuis les quais du Louvre”
Date: Circa 1890
Size: Height 16 ½” Width 23” (framed)
Considered one of the finest and most distinguished French painters, Eugene Galien-Laloue excelled in painting serene and beautiful landscapes, and was equally well known for his Parisian street scenes. He was born in Paris in 1854 and studied with his father Charles Laloue who was a landscape artist. Galien-Laloue was trained as an architect but found no joy in this profession and so embarked on his artistic career. He trained as an engraver and achieved a considerable reputation as a graphic artist. Exhibition records show that he exhibited at the Paris Salon from 1877 usually with views of Normandy, the Seine and Parisian street scenes. His landscapes have a serene and jewel-like quality about them and his style although free in technique is completely assured. His appreciation of light and tonal value along with his ability to portray the atmosphere of the French countryside so beautifully has rendered his work a place among the finest collections.
This superb example of his work is presented in pristine condition and is further enhanced by its ornate period frame.
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JULIAN GUSTAVE GAGLIARDINI
1846 - 1927
Title: “Twilight in Provence”
Date: circa 1890
Size: Height 23 inches Width 26 ¼ inches (framed)
This important Impressionist artist was born in Mulhouse on the 1st March 1846 and died in Paris in 1927. He studied with illustrious masters including Soulary and Leon Cogniet. He exhibited at the Paris Salon from 1869 to 1880 where he received numerous awards. It is interesting to note that when he first exhibited at the Paris Salon it was his historical genre paintings for which he was to receive much recognition. He later abandoned these genre subjects concentrating on landscapes for which great acclaim would soon follow. Such was the quality of these paintings that numerous honours were to follow including: an Honourable mention in 1883, third class medal in 1884, second class medal in 1886, silver medal at the Universelle Exposition in 1889, the prestigious Chevalier la Legion d’honneur in 1893, gold medal at the Universelle Exposition in 1900, and a member of the Society of French Artists from 1883.
Gagliardini was acknowledged by both connoisseurs and collectors alike for his wonderful renditions of the French coastline and landscape. As with Claude Monet and Turner, the magic and difficulty of capturing reflections and effects on water were to captivate him for many years – often embarking on abstraction where reality dissolves into the beauty of mystery. As shown in this fine example of his work, his technique is now firmly established in impressionism. He has dispensed with the darker hues and lightened his palette now creating glorious intricacies of colour. Summer afternoons are depicted with amazing depth and beauty of colour, capturing the viewer and drawing them into his world. This superb example of his work is presented in pristine condition and in its original period frame.
Museums were his work may be seen include: Amiens, Arras, Cambrai, Montpellier, Mulhouse, Paris (Louvre), Tourcoing, Rochefort.
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JULIAN GUSTAVE GAGLIARDINI
1846 - 1927
Title: “Vue de Provence”
Date: circa 1890
Size: Height 17 inches Width 20 ½ inches (framed) This important Impressionist artist was born in Mulhouse on the 1st March 1846 and died in Paris in 1927. He studied with illustrious masters including Soulary and Leon Cogniet. He exhibited at the Paris Salon from 1869 to 1880 where he received numerous awards. It is interesting to note that when he first exhibited at the Paris Salon it was his historical genre paintings for which he was to receive much recognition. He later abandoned these genre subjects concentrating on landscapes for which great acclaim would soon follow. Such was the quality of these paintings that numerous honours were to follow including: an Honourable mention in 1883, third class medal in 1884, second class medal in 1886, silver medal at the Universelle Exposition in 1889, the prestigious Chevalier la Legion d’honneur in 1893, gold medal at the Universelle Exposition in 1900, and a member of the Society of French Artists from 1883.
Gagliardini was acknowledged by both connoisseurs and collectors alike for his wonderful renditions of the French coastline and landscape. As with Claude Monet and Turner, the magic and difficulty of capturing reflections and effects on water were to captivate him for many years – often embarking on abstraction where reality dissolves into the beauty of mystery. As shown in this fine example of his work, his technique is now firmly established in impressionism. He has dispensed with the darker hues and lightened his palette now creating glorious intricacies of colour. Summer afternoons are depicted with amazing depth and beauty of colour, capturing the viewer and drawing them into his world. This superb example of his work is presented in pristine condition.
Museums where his work may be seen include: Amiens, Arras, Cambrai, Montpellier, Mulhouse, Paris (Louvre), Tourcoing, Rochefort.
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SOLD
JULIAN GUSTAVE GAGLIARDINI
1846 - 1927
Un Puits en Plein Soleil, Provence
Date: circa 1890
Size: Height 30 ½ inches Width 38 inches (framed)
This important Impressionist artist was born in Mulhouse on the 1st March 1846 and died in Paris in 1927. He studied with illustrious masters including Soulary and Leon Cogniet. He exhibited at the Paris Salon from 1869 to 1880 where he received numerous awards. It is interesting to note that when he first exhibited at the Paris Salon it was his historical genre paintings for which he was to receive much recognition. He later abandoned these genre subjects concentrating on landscapes for which great acclaim would soon follow. Such was the quality of these paintings that numerous honours were to follow including: an Honourable mention in 1883, third class medal in 1884, second class medal in 1886, silver medal at the Universelle Exposition in 1889, the prestigious Chevalier la Legion d’honneur in 1893, gold medal at the Universelle Exposition in 1900, and a member of the Society of French Artists from 1883. Gagliardini was acknowledged by both connoisseurs and collectors alike for his wonderful renditions of the French countryside. As shown in this fine example of his work, his technique is now firmly established in impressionism. He has dispensed with the darker hues and lightened his palette now creating glorious intricacies of colour. Summer afternoons are depicted with amazing depth and beauty of colour, capturing the viewer and drawing them into his world. This superb example of his work is presented in pristine condition and in its original period frame. Museums were his work may be seen include: Amiens, Arras, Cambrai, Montpellier, Mulhouse, Paris (Louvre), Tourcoing, Rochefort.
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RAYMOND THIBESART
1874-1968
Printemps Vallee de la Seine
Date: circa 1910
Framed Size: 31 inches by 39 inches
This noted French artist was born to an affluent family on 2nd May 1874 in Troyes. He exhibited at the Salon des Artistes Francais in Paris where he received a Silver Medal in 1922; at the Salon des Independents; and at the Salon d'Automne. In this superb example of Thibesart's work, the faint warmth of spring is conveyed through colour and the most delicate of touch.
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EUGENE LOUIS BOUDIN
1824-1898
Trouville, Les Jetes a Maree Haute
Date: circa 1880
Framed Size: 27 inches by 33 inches
Considered by connoisseurs and collectors alike to hold a place of great importance in Impressionist painting, Eugene Louis Boudin was born at Honfleur on July 12th 1824 and was raised in the marine atmosphere of Le Harve. He contributed both to the first Impressionist exhibition in 1874 and also to the Salons, where he attained great success, culminating in a gold medal at the Exposition Universelle in 1889.
Boudin was an artist of the open-air and marine atmosphere, and he illuminated a very distinct phase of Impressionist development. This painter par excellence depicted breezy skies and choppy waters at the mouth of the Seine, harbors and jetties off the Normandy coast, animated seaside resorts, and the coming and going of Channel and fishing boats. Examples of Boudin's work may be seen in the following museums: Alencon; Alger; Dieppe; Honfleur; Le Harve; Nantes; Louvre; Reims; Stockholm National Museum; Metropolitan Museum, New York; State Hermitage Museum, Russia; Aberdeen Art Gallery and Museums, Scotland; Fine Arts Museum of San Francisco and the National Gallery in London.
Trouville, Les Jetes a Maree Haute is a wonderful example of his work, depicting the jetties at Trouville, a thriving fishing port by the mid nineteenth century. Boudin painted Trouville from many different viewpoints. Here he portrays the more tranquil aspects of port life, elevating the grey tones into a dynamic atmosphere above the ships coming and going from the sea. This superb example of his work is presented in pristine condition and in its original period frame. It is included in the catalogue raisonne on his work no. 2373.
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ALBERT LEBOURG
1849-1928
Bord de Seine a Bercy
Date: circa 1880
Framed Size: 25.5 inches by 37.5 inches
Considered to be among the most important French artists spanning the 19th and early 20th century, Albert Lebourg was born in Montfort-sur-Risle on the 1st of February 1849 and died in Rouen on the 7th of January 1928. He received his formal art training at the atelier of Jean Paul Laurens (1838-1921), and exhibited in Paris at the Salon, where recognition was soon followed with numerous awards, including a Silver medal in 1900 and the prestigious Croix de la Legion de'Honneur in 1903. Lebourg was elected a director of the Nationale des Beaux Arts in 1894, and he exhibited regularly until 1914. Albert Lebourg exhibited twice with the Impressionists, in 1879 and in 1880. The river Seine was a favourite theme, depicting blue sky with soft and placid flocks of cloud. Lebourg sets the spectator down in Paris in a way which leaves no doubt as to where he is - at the same time creating lovely intricacies of colour. This view of Paris, sparkling with light and richly harmonious in color, is a superb and extremely rare example of his work. It is presented in pristine condition and in its original period gold leaf frame. This painting will be included in the catalogue raisonne of the artist's work by Monsieur Rodolphe Walter.
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GEORGES STEIN
Born in 1870
"Les Parisiennes"
Date: circa 1900
Framed Size: Height 32 inches Width 27 inches
Georges Stein's wonderful drawings of Paris at the turn of this century are justly admired for portraying the very essence of Parisian life. Stein was born in Paris in 1870 and on completion of his studies he exhibited at the Paris Salon and in London where his busy street scenes were avidly sought. Many one-man exhibitions of his work were held in London and Paris and although he worked in both oil and pastel, it is for his watercolours that he is best remembered. He did illustrations for many of the journals of the period catching fleeting moments on the Boulevard Saint Denis, l'Arc de Triomphe, Les Grands Boulevards, etc. As with Luigi Loir and Eugene Galien-Laloue, Georges Stein painted views of Paris in a manner which carefully and intimately observed the subject matter with a directness of execution which depicted both the freshness of atmosphere and the magic of colour and light.
This present composition is quintessential Stein - a lively Paris evening street scene with the Paris Opera House, a flower vendor, allowing one to catch a glimpse of elegant Parisiennes - a view which has captured the imagination of many through the decades.
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CATHERINE W. WATKINS
1861-1947
At Positano, Italy
Date: circa 1914
Framed Size: 42.5 inches by 34.5 inches
This accomplished artist was born in Hamilton, Ontario, but moved to California as a child. She specialized in landscapes and portraits, but is best remembered for her stunning Impressionist paintings of Italy. Watkins studied at the Art Institute of Chicago, and then traveled to Paris where she studied with Simon, Menard, Miller and Dauchez, with Brangwyn in London and Sorolla in Madrid. She was a member of the National Association of Women Artists and the International Women’s Art Association. Watkins exhibited at the Salon des Beaux Arts in 1914 and also at other French institutions. It is interesting to note that she was also an accomplished writer and lecturer, having traveled extensively in India and China. Interestingly enough, on viewing this example, one is aware that the Pointillist Movement in Paris has influenced her style although she is predominantly an Impressionist painter-colour and light being the important elements of this painting. The colour scheme heightened with vivid blues, purples, greens, oranges and yellows contrast to give a bold example of a true colourist of the period. This wonderful painting depicting a landscape in Positano, Italy is similar to her exhibited paintings at the Salon des Beaux Arts in 1914.
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PAUL MADELINE
1863-1920
Summer Splendour in Crozant
Date: circa 1895
Framed Size: 28.5 inches by 34 inches
Greatly admired for his wonderful renditions of the French countryside, Paul Madeline was born in Paris on the 7th of October 1863 and received his formal art training with E. Chaly at the Beaux-Arts de Paris. After completed his studies, he exhibited at the Paris Salon and the Salon d’Automne, and in addition was elected member of the Society of French Artists in 1897. In 1908, he formed “La Societe Moderne” with Maurice Chabas, admitting important painters of the period, including Henri Lebasque, E. de la Villeon, Aman-Jean, Raffaelli exhibiting at the galleries of Durand-Ruel and Devambez annually.Madeline’s Impressionist landscapes are admired for their masterly technique, harmonious composition, refined colour, and for conveying all the true aspects of Impressionism. Summer Splendor in Crozant is a beautiful example of the French countryside, presented in an ornate frame and in pristine condition. Examples of this work are part of the permanent collections at museums in Chanteauroux, Nantes, Paris, LeChatre, Gueret, Limoges, Nice, Pau and Quimper.
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EUGENE FRANCOIS ADOLPHE DESHAYES
1862-1939
Title: “Bord de Riviere-Provence”
Date: Circa 1900
Size: Height 28 1/2 ” Width 42” (framed)
This accomplished artist was born in Algers on July 12, 1862. Having completed his studies at age eighteen he entered the L’Ecole des Beaux Arts in Algers under the great master Emile Charles Labbe (1820-1885), a landscape painter of the Barbizon School. There he made friends with Charles Jourdan who owned a magnificent property in the vicinity of Algers. At this time Eugene was suffering from ill health and stayed with his friend in his home. It was during this time that Eugene met Jules Bastien Lepage (1848-1884), one of the most important painters of the period who was visiting Algers. He was to influence Eugene greatly. In May 1985 Deshayes visits Paris where he enrolls at the Ecole des Beaux Arts. He shares a modest chamber with the Algerian artist Bertrand in the Rue de Seine and it is here that he studies with one of the most important masters, Gerome. He spent his spare time in the Louvre making copies of the great masters but also would paint outdoors to be at one with nature, including the gardens of Monceau and Versailles. In 1890 he returned to Algers where his work was exhibited at the Galerie Dru with views of Paris, Provence I’lle-de-France and also landscapes of Algers. He exhibited in Paris at the Salon des Artists Francais and the Paris Salon between 1896 and 1907 and through the years at Tunis, Arras, London, Germany, Spain and America. He was to receive numerous awards including a Gold Medal at the Exposition Internationale of Paris in 1937 and in 1935 the Le Croix de Chevalier de la Legion d’honneur.
Deshayes is best remembered for his renditions of radiant gardens – summer landscapes bathed in the warmth of natural summer sunlight enhanced by the use of lavish hues and the absolute assuredness of hand. Examples of his work such as this are extremely desirable but sadly rather scarce.
This superb example of his work is presented in pristine condition and signed by the artist. Examples of his work may be seen at the Musee des Beaux-Arts d’Alger.
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PAUL FREDERIC ANTOINE CHARAVEL
BORN 1877
Title: “Vue de la Port - St. Tropez”
Date: c. 1910
Framed Size: Height 31 ½ inches Width 37 ¾ inches
Paul Frederic Antoine Charavel was acknowledged as an accomplished landscape and portrait painter. He was born in Marseille, France on April 2, 1877. He studied both in Paris and in Brussels both with Il a notamment peint de nombreux paysages des alentours de Saint-Tropez , et réalisé des fresques religieuses essentiellement dans l' Aisne .Albert Maignan and Leon Bonnat, who was one of the most important art masters of the period. He exhibited widely in Paris and in the Provences, including the Paris Salon and the Societe Français des Beaux-Arts. During his career he received numerous accolades including becoming a member of the Salon of French Artists and in 1902 had an Honorable Mention1902 : mention honorable; a third-class medal in 1907; and a Gold Medal in 1927. He painted many landscapes around Saint-Tropez and religious paintings made primarily in the Aisne. Il se distingue en particulier par ses scènes de baignade et rend un hommage permanent à la lumière. He is distinguished especially by his bathing scenes and makes a lasting tribute to light. His paintings have a luminosity to them which gives brilliance and splendour of general effect and in which the vibration of Impressionist blue and clarity of colour plays its part. In this wonderful example of Charavel’s work, it is possible to appreciate what he derived from Impressionism. He achieves the intensity of colour with careful delicate graduations which in turn contributes to the originality of his work.
Most of the paintings and drawings by Paul Charavel are part of private collections. Museums where his work may be seen include the Museum of Menton, the Museum of Modern Art [2St. Stephen, and the Musée Fabre [3] to Montpellier.
This painting is presented in pristine condition and is signed by the artist.
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Title: “La Corniche à Monaco”
Size: Height 14 inches Width 17 ½ inches (framed)
Acknowledged as an outstanding artist, Raymond Allegre’s passion for art is evident in his wonderful renditions of the South of France. He was born in Marseille, on the 27th August 1857 and received his formal art training with such important masters as Antoine Vollon, Leon-Joseph-Florentin Bonnat and Jean Paul Laurens. Having completed his studies, he exhibited at the Salon des Artistes Francais from 1881 to 1932, being awarded le Prix Raigcourt - Goyon in 1893 and at the Paris Salon where his work was received with great acclaim. Numerous honours were bestowed on him including the bronze medal at the Exposition Universelle in 1900 and the prestigious Chevalier de la Legion d’Honneur in 1903.
This painting is certainly a true representation of Allegre’s most important work. He was the observer of effects of light rendered with both freshness and decision combined with a subtle use of colour, creating breathtaking views of the French coastline.
On viewing this painting it is easy to understand why Allegre’s paintings are admired. He had the ability to create a mastery of light, shade and depth as well as a first rate ability to paint water. This is a superb example of his work.
Examples of his work may be seen in museums in Marseille, Aix, Roanne and Rouen.
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CHARLES MALFROY
1862 - 1951
Title: “Vue de Port de Pêche, Provence”
Date: Circa 1900
Size: Height 16 inches Width 19 1/2 inches (framed)
Charles Malfroy was an accomplished French artist who specialised in coastal, marine and landscape painting. He was born in Lyon on the 27th March 1862 and was the father of noted marine artist Henry Malfroy (1895-1942). After completing his formal art training at the Beaux-Arts de Lyon, Malfroy embarked on his artistic career with exhibitions at the Salon in Lyon beginning in 1881.
Charles Malfroy was an impressionist painter in the manner of important Marseille artist, John Baptiste Olive. This painting is certainly a true representation of Malfroy’s best work. He was the observer of effects of light rendered with both freshness and decision combined with a subtle use of colour, creating wonderful views of the French coastline. On viewing this painting, it is easy to understand why Malfroy’s paintings are so greatly admired. This wonderful example of Charles Malfroy's work is presented in pristine condition.
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THEO JOHN KOCH
1881-1959
Winding Way
Date: 1930
Framed Size: 26 inches by 30 inches
Theo John Koch was born in Düsseldorf, Germany on the 24th of August 1881. He specialized in landscape painting, but he was also a drawing specialist, portrait painter and accomplished engraver. Impressionists such as Theodore C. Steele (1847-1926), who was also German and studied in Munich, were surely an influence on his work. He was a member of the Hoosier Salon which began in 1925, following the Salons of the 19th century, to gain national recognition for artists of the Midwest, such as Koch. Winding Way is a beautiful example of his work, with its bright colors and very Impressionist brushstrokes.
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ANDRE BARBIER
1883 - 1970
Rouen, Vu de ma fenetre
Date: 1909
Framed Size: 31 inches by 36.5 inches
Although this artist was noted for his landscapes and still life paintings, it was for his wonderful renditions of Rouen Cathedral that he is best remembered. He was born in Arras, France on 24th January 1883 into a wealthy family of lawyers. In 1903, Barbier left Arras and settled in Paris at the Quai aux fleurs. He exhibited widely including: the Salon des Independants between 1903 and 1914, resuming in 1967 until his death in 1970; Salon d’Automne from 1908-1938; Societe Nationale des Beaux Arts in 1911; Salon des Tuilleries from 1924-1931; Retrospective at the Societe des Independants in 1926; and at the Exposition Internationale in 1937. Pursuing his artistic career, Barbier traveled extensively in France between Paris, the environs of Paris, Normandy coast, and the Riviera. He also traveled abroad, especially to Italy. In 1916, Barbier met Claude Monet and sent him a present of flowers, fruit and one of his paintings. Monet in turn sent him a gift of three pastels. A great personal friendship developed that lasted until Monet’s death in 1926. Monet was so impressed by Barbier’s paintings that he sponsored an exhibition of his work with a preface by his friend and art historian, Gustave Geffroy, who urged Barbier to “build of mist and light, a world of poetry.”Andre Barbier’s work is avidly sought after by connoisseurs and collectors in Europe and America and his works have recently been bought by members of the royal families in Monaco and Belgium. This wonderful example of the artist’s work is presented in pristine condition and is signed and dated by the artist.
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SOLDERNEST MARIE LOUIS PERNELLE Born 1870 Au bord de la rive, Dordogne
Date: circa 1900 Framed Size: 25.75 inches by 31.5 inches
Ernest Pernelle was widely considered to be one of Jules Lefebvre’s (1836-1911) most gifted pupils and Lefebvre had a tremendous influence on his work. He also studied with Jean Baptiste Antoine Guillemet (1843-1918). Having completed his studies, Pernelle exhibited at the Societe des Artistes Francais from 1911 and the Societe des Artistes Independants from 1923. During his career, he received numerous accolades, including a silver medal in 1914, a gold medal in 1927 and hors-concours.His paintings have a luminosity which gives brilliance and splendour of general effect and in which the vibration of Impressionist blue and clarity of colour plays its part. In this wonderful example of Pernelle’s work, it is possible to appreciate what he derived from Impressionism. He achieves the intensity of colour with careful delicate graduations which in turn contributes to the originality of his work. This painting is presented in pristine condition and is signed by the artist.
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CLARENCE MONTFORT GIHON
1871 -1929
Les Parisiennes
Date: circa 1910
Framed Size: 31.25 inches by 35.25 inches
Clarence Montfort Gihon painted many memorable paintings of Parisian life at the turn of this century. He was born in Philadelphia on the 25th November 1871 and received his formal art training in the United States. When he was 23 years of age he travelled to France to further his studies. Among his most notable art masters were William Merritt Chase(1849-1916), Jean-Paul Laurens (1838-1921) and Benjamin Constant(1845-1902) at the Academie Julian. Having completed his studies, he exhibited at the Paris Salon. He was also a noted illustrator and designed many wonderful sets for the theater. Gihon fell in love with France, especially Paris, where he was to spend the next 35 years of his life before returning to the United States. He is represented in numerous collections both in France and the United States. There is a personal kind of Impressionism in this superlative vision of everyday life. No picture could be less topographical and yet, by the empathy of his genius, Gihon set the spectator down in Paris in a way that leaves no doubt as to where he is, and at the same time creating lovely intricacies of colour. Gihon delighted in “the people’s Paris." In this charming painting, he conveys the very essence of Parisian life at the turn of the century, capturing the elegance of a wealthy society, beautiful ladies, shopkeepers, etc. The precision of drawing has gone to be replaced by a shimmering envelope of colour and yet attention to detail is not lost, but conveyed in an Impressionist manner. This is a truly lovely example which epitomizes the best of Gihon’s work.
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VICTOR BRUGAIROLLES
1869 - 1936
Place de la Concorde
Date: circa 1900
Framed Size: 13 inches by 16 inches
Victor Brugairolles’ wonderful paintings of Paris at the turn of 20th century are justly admired for portraying the very essence of Parisian life. He was born in Ganges (Herault) in 1869. Brugairolles was a student of Fernand Cormon (1845-1921) and having completed his studies exhibited at the Salon des Artistes Francais from 1900 to 1936, receiving a Second Class Medal in 1912. He also exhibited at the Salon d’Automne from 1907. As with Luigi Loir and Eugene Galien-Laloue, Victor Brugairolles painted views of Paris in a manner which carefully and intimately observed the subject matter with a directness of execution which depicted both the freshness of atmosphere and the magic of colour and light.This present composition is quintessential Brugairolles - a lively Place de la Concorde scene set in the early hours of evening with horse drawn carriages - allowing one to catch a glimpse of elegant Parisiennes, a view which has captured the imagination of many through the decades.
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